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Reog Ponorogo Officially Listed as UNESCO Intangible Cultural Heritage

Reog Ponorogo Officially Listed as UNESCO Intangible Cultural Heritage
Reog Ponorogo Officially Recognized as UNESCO Intangible Cultural Heritage | wikimedia

Reog Ponorogo has just officially been recognized by UNESCO as an Intangible Cultural Heritage (ICH). This prestigious designation was granted during the 19th session of the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage, which took place in Asunción, Paraguay, from Monday, December 2 to Saturday, December 7, 2024.

The decision was announced following a presentation by Indonesia, showcasing Reog Ponorogo as a traditional theatrical dance. The performance, which is deeply rooted in Indonesian culture, is often displayed during various ceremonial occasions. The evaluation body of UNESCO recommended that Reog Ponorogo be included in the ICH list, highlighting its importance as an art form that requires urgent protection and preservation.

Reog Ponotogo, a deep-rooted culture in Indonesia

The recognition process began in January 2024, when the dossier for Reog Ponorogo’s inclusion in the ICH list was submitted to the UNESCO Secretariat. After careful review, the submission was deemed complete, and the Indonesian authorities in Ponorogo eagerly awaited the final decision at the UNESCO meeting later that year.

Reog Ponorogo: A Glimpse into Indonesia’s Rich Cultural Heritage

Reog Ponorogo is a traditional dance and performance art that originates from the town of Ponorogo in East Java, Indonesia. This spectacular form of cultural expression is known for its vibrant, theatrical elements, combining dance, music, and storytelling in an intricate and mesmerizing performance. The heart of Reog Ponorogo lies in its elaborate costumes, particularly the iconic lion-headed mask, known as "Singobarong," which is worn by one of the central performers. The dance is not only a visual feast but also a powerful portrayal of the age-old battle between good and evil.

The History and Legend Behind Reog Ponorogo

Reog Ponorogo is deeply rooted in Javanese folklore and has been passed down through generations for centuries. The origins of this traditional art form are often linked to the legend of King Kelono Sewandono, a mythical figure in Javanese culture. According to the legend, the king sought the hand of a beautiful princess, but her father, the king of Kediri, set an impossible condition: the suitor must present a performance so grand that it would impress the royal court. To meet this challenge, King Kelono Sewandono, aided by his loyal soldiers, performed a grand theatrical display that included the use of the enormous lion mask, symbolizing strength and courage. The performance's grandiosity was said to have won the princess’s heart, but the legend also speaks of the mystical powers imbued within the mask, capable of warding off evil spirits.

The story, rich with symbolic meaning, reflects themes of valor, bravery, and the eternal struggle between good and evil. Over the centuries, these elements have remained integral to Reog Ponorogo, making it not just a dance but a living legend that continues to captivate audiences.

Cultural Significance and Performance Style

At the core of a Reog Ponorogo performance is the "Singobarong," the massive lion mask that is worn by a dancer who performs acrobatic feats while carrying the heavy mask. The mask itself can weigh up to 30 kilograms and requires great strength and skill to maneuver. The dancer, often a young man, balances the mask on his head while performing intricate movements, symbolizing the power and majesty of the lion. The performance is accompanied by gamelan music, which provides the rhythm and atmosphere for the dance. Traditional Javanese instruments such as gongs, drums, and metallophones create an intense and immersive soundscape that heightens the drama of the performance.\

Reog Ponorogo is deeply rooted in Javanese folklore and has been passed down through generations for centuries | Kemenparekraf

Reog Ponorogo is typically performed during festivals, ceremonies, and cultural celebrations, where it serves not only as entertainment but also as a form of spiritual and social expression. It is a way for communities to connect with their history, honor their ancestors, and celebrate the enduring strength of their cultural identity. The dance also plays a role in local rituals, offering protection and blessings to the people.

A Modern Renaissance and UNESCO Recognition

In recent decades, Reog Ponorogo has seen a resurgence, both in Indonesia and globally. Efforts to preserve and promote this unique art form have been bolstered by its growing recognition as a symbol of Indonesian culture. In January 2024, the Indonesian government submitted the dossier for Reog Ponorogo to be included on UNESCO’s Intangible Cultural Heritage list, marking a critical step in safeguarding the dance’s legacy for future generations. After careful review, UNESCO officially recognized Reog Ponorogo as a global cultural treasure, underscoring its importance as a living tradition that requires protection and continued practice.

Today, Reog Ponorogo is performed not just in Ponorogo but across Indonesia and beyond, as part of cultural exchanges and international festivals. Its inclusion in UNESCO’s Intangible Cultural Heritage list helps ensure that this cherished art form will continue to thrive and inspire people worldwide, fostering pride in Indonesia's diverse cultural heritage. The recognition serves as both an ultimate honor for the people of Ponorogo and a testament to the power of traditional arts in shaping modern cultural identities.

Akhyari Hananto

I began my career in the banking industry in 1997, and stayed approx 6 years in it. This industry boost his knowledge about the economic condition in Indonesia, both macro and micro, and how to More understand it. My banking career continued in Yogyakarta when I joined in a program funded by the Asian Development Bank (ADB),as the coordinator for a program aimed to help improve the quality of learning and teaching process in private universities in Yogyakarta. When the earthquake stroke Yogyakarta, I chose to join an international NGO working in the area of ?disaster response and management, which allows me to help rebuild the city, as well as other disaster-stricken area in Indonesia. I went on to become the coordinator for emergency response in the Asia Pacific region. Then I was assigned for 1 year in Cambodia, as a country coordinator mostly to deliver developmental programs (water and sanitation, education, livelihood). In 2009, he continued his career as a protocol and HR officer at the U.S. Consulate General in Surabaya, and two years later I joined the Political and Economic Section until now, where i have to deal with extensive range of people and government officials, as well as private and government institution troughout eastern Indonesia. I am the founder and Editor-in-Chief in Good News From Indonesia (GNFI), a growing and influential social media movement, and was selected as one of The Most Influential Netizen 2011 by The Marketeers magazine. I also wrote a book on "Fundamentals of Disaster Management in 2007"?, "Good News From Indonesia : Beragam Prestasi Anak Bangsa di dunia"? which was luanched in August 2013, and "Indonesia Bersyukur"? which is launched in Sept 2013. In 2014, 3 books were released in which i was one of the writer; "Indonesia Pelangi Dunia"?, "Indonesia The Untold Stories"? and "Growing! Meretas Jalan Kejayaan" I give lectures to students in lectures nationwide, sharing on full range of issues, from economy, to diplomacy Less
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